Previous §Zweyter Teil | Part II
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Essay on the True Manner of Playing the Clavier Zweyter Teil | Part II |
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| 16. Capitel. Vom Accord der großen Septime 1. Abschnitt. |
Chapter 16. On the chord of the major seventh Section 1. |
| §. 5. Wenn man den Dreyklang von der Septime des Grundtones nimmt, so hat man 7/4/2 in der Hand. | §5. If one plays a triad over the seventh above the bass, then one has the 7/4/2 chord in the hand. |
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