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Essay on the True Manner of Playing the Clavier Zweyter Teil | Part II |
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| 11. Capitel. Vom Secundquintquartenaccord | Chapter 11. On the 5/2 chord |
| §. 4. Weil diese Aufgabe auch nur bey Compositionen vorkommt, welche das vierstimmige Accompagnement gar wohl vertragen, so bleibt man dabey, um so vielmehr, da kein Intervall von unserm Accorde gemisset werden kann. | §4. Since this chord only occurs in compositions that easily permit a four-voice accompaniment, one thus always retains four voices, since no interval may be omitted in this chord anyway. |
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