Essay on the True Manner of Playing the Clavier Zweyter Teil | Part II |
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1. Capitel. Von den Intervallen und den Signaturen | Chapter 1. On intervals and their signatures |
§. 55. Man weiß ohne mein Erinnern, daß man die verbotenen Octaven nicht da suchen muß, wo der Componist aus guten Ursachen zuweilen die Stimmen, wie es heißt, im Unisono gehen läßt. In der Verbindung der Accorde sind sie anzutreffen. | §55. It is obvious without my saying so that there are no prohibited octaves in those passages where the composer, for good reason, occasionally has the voices proceed in unisono, as it were. Prohibited octaves are to be found in the connections between chords. |
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