Previous §Zweyter Teil | Part II
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Essay on the True Manner of Playing the Clavier Zweyter Teil | Part II |
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| 6. Capitel. Vom Sextquartenaccord 2. Abschnitt. |
Chapter 6. On the 6/4 chord Section 2. |
| §. 5. Wenn nach dem dreystimmigen Satze TB/8/6, bey einem heraufsteigenden Basse, 6/4 im Wechselgange folgt: so wird diese 6/4 auch nur dreystimmig abgefertiget: | §5. When the three-voice TB/8/6 over a stepwise ascending bass is followed by 6/4 as an accented passing tone, then this 6/4 is also played in three voices: |
Ex. II:114 |
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