Previous §Zweyter Teil | Part II
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Essay on the True Manner of Playing the Clavier Zweyter Teil | Part II |
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| 3. Capitel. Vom Sextenaccord 1. Abschnitt. |
Chapter 3. On the 6-chord Section 1. |
| §. 9. Bey der zweystimmigen Begleitung unserer Ziffer verliehrt man allezeit ein Intervall; sie kommt also nicht leicht vor. Wenn die Hauptstimme viele Sexten hinter einander piano vorzutragen hat, so wäre dieß der Fall, da der Accompagnist die Terzen allein dazu nähme: | §9. In the two-voice accompaniment of the 6 one always loses an interval; hence one tends to avoid it. If the principal voice has to perform many consecutive sixths at a piano dynamic, then this would be the case in which the accompanists would play only thirds with it: |
Ex. II:70 |
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